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TWOmb

by Ethan Work

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A story in four parts. I. Sunday’s Passage (0:00) A religious man lives a double life. Every Sunday, he enters through a large cross-shaped gate into a church building to keep up his appearance of piety amongst his peers. However, as soon as he gets back home, it’s right back to his daily life of sin, debauchery, and hedonism. One Sunday, he gets a brief but very strange sensation deep in his soul as he is leaving through the gate following the church service. He nonetheless shrugs it off. II. The Brunch of the Beast (3:25) The man continues on with his self-destructive routine that night. He parties for hours on end, gets absolutely wasted, and has sex with three different women. He picks a fight with a random homeless person just outside the club as he is leaving for the night. III. Prelude to the Death (7:02) He stumbles into his car dripping wet from the rain. He starts to fall asleep at the wheel but is suddenly jerked awake by the realization that he has veered into a ditch. The next thing he knows, he has rammed his car into a lamp post and dies from the impact. The real Death, however, would come later. IV. The Death (11:42) Upon entering the afterlife, the man takes one last look at what he presumes to be the Gates of Heaven, ironically shaped just like that Cruciform Gate which guards the church where he so frequently flaunted his deadly façade, before being pulled into the deep, dark depths of You-Know-Where.
7.
R.I.P.C.C. 06:49
Rest in peace to Clayton Counts, the legendary musician, loop generator extraordinaire, and overall eccentric personality gone way too soon.

about

1. The Tomb/Welcome To Your Doom
2. Fun With a Gun
3. The Flying Drumstick
4. Congregation Blues
5. Untold Horrors
6. The Cruciform Gate
I. Sunday’s Passage
II. The Brunch of the Beast
III. Prelude to the Death
IV. The Death
7. R.I.P. C.C.

My second full-length release, “TWOmb”, is a departure from my debut in a variety of ways. First of all, the space rock theme has been all but abandoned, and every track is in a different style, reflecting the vast array of influences that inform my writing process. All of the arrangements are written and performed entirely by me. This is honestly an album that I think requires a few listens to fully enjoy, but still is one that I am very proud of and worked very hard on.

credits

released January 7, 2022

Ethan Work - all instruments, composition, vocals on track 1
John Rizzio - vocals on track 4
Rashel Jenkins - artwork

Spoken word samples on track 7 taken from Jonathan Fraser's YouTube video, "Bull of Heaven Haters"

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Ethan Work Houston, Texas

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